MODERNISM

The United States has a variety of regulations to address the economic harm resulting from monopoly power in an industry. This includes the Sherman Act of 1890, the Clayton Act of 1914, and the Federal Trade Commission Act of 1914. These acts were aimed at restricting the formation of cartels and monopolies to protect consumers and ensure competition. The article The Oligopoly Problem argued that oligopolies fall through the cracks of these regulations and leave consumers unprotected from harmful business practices where industries are highly concentrated. Read the article and respond to the following in your initial post: What are examples of firms in an oligopolistic market that abuse their power? Explain how they abuse their power and describe the impact on consumers. Do you agree with the author’s feelings about increased government oversight of such industries? Why or why not? website for article is http://www.newyorker.com/tech/elements/the-oligopoly-problem
June 21, 2017
Project 2
June 21, 2017

MODERNISM
MODERNISM
In the early years of the 20th century, the group of artists known collectively as The Eight and, later, as the so-called Ashcan School—on account of their style,
technique, and subject matter—were considered to be art-world radicals and/or revolutionaries, above all purporting to capture what was inherently “modern” about urban
life and urban experience.
Who were the artists affiliated with this/these group(s)? Where did many of them receive their training? What characterized and what was so revolutionary about their
style of painting? Where did they paint, and what were there favorite subjects? What was their relationship with the media? What was (or was not) “modern” about
their paintings?
Along these lines, what about the modern, urban experience did they capture? Were these honest, documentary images or, rather, scenes of urban melodrama? How would
you compare their work to that we have looked at thus far? And, finally, how is the art of The Eight as much about politics and social commentary as it is about
painting (that is, style, technique, etc.)?